St Petersburg, Mariinsky II

The Maid of Pskov

opera by Nikolai Rimsky-Korsakov

Performed in Russian (the performance will have synchronised Russian and English supertitles)
In memory of Bulat Minzhilkiev



Valery Gergiev

Vera Sheloga: Irina Churilova
Nadezhda Nasonova: Svetlana Karpova
Vlasyevna: Olga Savova
Boyar Ivan Sheloga: Vitaly Yankovsky

Princess Olga: Irina Churilova
Mikhail Tucha: Oleg Videman
Tsar Ivan the Terrible: Stanislav Trofimov
Prince Yuri Tokmakov: Yuri Vorobiev

“I believe that Minzhilkiev will go down in the history of the Chaliapin tradition (for however long this continues to survive) with such power and dazzle that there are very few voices indeed that can rival him. His thirty-year-long stage career was on the whole a happy one. He sang a huge number of roles and the geography of his tours was absolutely immense; he performed at all of the world’s major music capitals.
Bulat was unrivalled in such roles as Konchak and Ivan Khovansky. I remember him singing as Konchak in Palermo. You had the sensation that when he began to sing the acoustics of the auditorium changed, his voice was so rich in terms of its timbre and soulfulness. This sensation emerged in an almost mystical fashion. Bulat’s voice blended with and soared above the orchestra so naturally that I never had to dampen the fire of the orchestra’s playing – the orchestra has a soul too and it wants its voice to be heard. Some singers are simply unable to compete with the orchestra. This was never the case with Bulat, and he never had any problems commanding the orchestra. I had a special fondness for Bulat which was hard to disguise. Apropos, not just because of the richness of his voice – it is important to remember the selflessness and nobleness, the serenity with which Bulat dealt with problems, injustices and difficulties that are the lot of any performer. Possibly within him self, somewhere deep down he hid certain tragedies, but he never lost his temper with the company. He was never cold to anyone, and he never displayed any aggression. Never. That is an amazing quality. I would like to pay tribute to him not just as an artiste but as a human being too. You could have bowed down before him – his attitude was such that he was prepared to serve the theatre day and night without ever asking what the cost would be, what awards or titles he would receive and to where he would be travelling.” Valery Gergiev

Bulat Minzhilkiev (1997−1940) was born in Kirghizia. He graduated from the Tashkent Conservatoire in 1966 (singing class of N. Kalinkova). He was immediately invited to join the Kirghiz Opera and Ballet Theatre. The great heights of the singer’s artistic career are linked with the Mariinsky Theatre, which he was invited to join by Valery Gergiev in the late 1980s. He performed the roles on Boris Godunov, Méphistophélès in Faust , Konchak in Prince Igor , Tsar Ivan the Terrible in The Maid of Pskov, Ivan Khovansky in Khovanshchina , the Inquisitor in Don Carlo and in The Fiery Angel and Boris Timofeyevich in Katerina Ismailova. In the early 1990s he worked with the Bolshoi Theatre and was a regular guest performer at La Scala and the Metropolitan Opera.
A prize-winner at International Competitions, he was awarded the State Prize of the USSR in 1985.

World premiere: 1 January 1873, Mariinsky Theatre
Premiere of this production: 29 December 1951, Kirov Opera and Ballet Theatre (Mariinsky Theatre)
Revival of the production: 25 April 2008

Running time: 4 hours
The performance has two intervals

Age category 12+


Music by Nikolai Rimsky-Korsakov
Libretto by Nikolai Rimsky-Korsakov after the drama by Lev Mey

Musical Director: Valery Gergiev
Stage Director: Yuri Laptev
Sets and costumes: Pyotr Okunev
Video Designer: Vadim Dulenko
Lighting Designer: Yegor Kartashov
Musical Preparation: Irina Soboleva
Sets and costumes by Fyodor Fyodorovsky from opera The Maid of Pskov (production by Yuri Laptev)

World premiere: 15 December 1898, Mamontov’s Opera on the stage of the Solodovnikov Theatre, Moscow
Premiere at the Mariinsky Theatre: 28 October 1903
Premiere of this production: 18 March 2019

Revival of the 1952 production (with sets and costumes by Fyodor Fyodorovsky)
Musical Director: Valery Gergiev
Revival Stage Director: Yuri Laptev
Revival Set Designer: Vyacheslav Okunev
Revival Costume Designer: Tatiana Noginova
Lighting Designer: Damir Ismagilov
Lighting Adaptation for the Mariinsky II by Yegor Kartashov
Musical Preparation: Irina Soboleva
Principal Chorus Master: Konstantin Rylov


Prologue The Noblewoman Vera Sheloga
Nobleman Ivan Sheloga of Pskov has gone to war. His wife, Vera, gave birth to daughter Olga in his absence. Vera’s sister, Nadezhda, discusses with her nanny Vlasevna why her beautiful sister is so gloomy and sad. They talk of Nadezhda’s fiancé, Prince Yuri Tokmakov, returning home soon. They hear Vera singing a lullaby to her daughter. While the baby is asleep, the woman reveals a terrible secret to her sister – her baby is not her husband’s daughter. She is ready to hand him an axe to atone for her sin. Vera tells the story of how she went to pray to the Pechersky Monastery and got lost, how she could not refuse the advances of her saviour, “one of the boyars,” whom she fell in love with, how he left her and married Nastasya Romanova. They hear horn calls. Ivan Sheloga enters with Prince Tokmakov. Vera is confused and asks him not to hurt her child. Her bewildered husband asks whose baby is that. Nadezhda falls to her knees and screams: “Mine!”

Scene 1
Pskov, 1570
The garden of the Tsar´s governor-general in Pskov, Prince Yuri Ivanovich Tokmakov. The maidens are amusing themselves, watched over by their nurses. Princess Olga, however, is left unmoved by her friends´ games and songs. She dreams of meeting her beloved, and is awaiting news of him.
The nosy Perfilyevna tries to wheedle out of Olga´s nurse if it is true that Olga is not a prince´s daughter. Vlasyevna speaks of Novgorod: Tsar Ivan became angry at the free city and together with his oprichnina came and slaughtered indiscriminately and mercilessly: Styosha, Olga´s friend, secretly tells her that Mikhailo Tucha will be in the garden in the evening to see Olga. The nurses take the maidens into the tower-chamber.
Olga comes into the garden, but her joy of seeing her beloved is short-lived. The Princess has been promised in marriage to the noble boyar Matuta, and it is not for Mikhailo Tucha, the son of a poor governor, to act as a rival. Mikhailo tells Olga of his decision to depart for Siberia and, when he returns rich with furs and silver, to ask her hand from Prince Tokmakov. But Olga persuades her beloved to stay, and promises Mikhailo she will beg her father not to give her to Matuta. Tokmakov and Matuta come out from the tower. Mikhailo Tucha hides, and Olga slips into the garden, overhearing her father´s conversation with Matuta. Tokmakov says he is not Olga´s natural father. Her mother was the noblewoman Vera Sheloga, the Prince´s dead wife, and her father is unknown.
Bells ring out – the alarm for the townspeople to assemble. The Prince and Matuta depart. Shocked, Olga takes the bells as the death knell burying her happiness.

Scene 2
Alarm bells continue to ring. The people gather on the square.
The horseman Yushko Velebin brings the news – proud Novgorod has fallen and Tsar Ivan Vasilievech is marching on Pskov. Worry and panic seize the people. Prince Tokmakov tries to calm the people – Pskov has nothing to fear, with their faith and truth the townspeople serve their native land well. And so they must meet the Tsar in peace and hospitality. The young people of Pskov, headed by Mikhailo Tucha (a freeman of the town), do not wish to submit to the Tsar. They call on the people to demand independence. The freemen take up the bold song of their leader and leave the town. In fright Matuta asks Tokmakov to call the streltsy to deal with the unruly. Tokmakov refuses indignantly. The alarm bell continues to sound.

Scene 3
The people of Pskov are waiting for Tsar Ivan, setting the feast tables.
Olga and her nurse appear. The Princess admits that she has heard the conversation of her adoptive father with Matuta and bemoans the fact she is an orphan. Olga is sad, but she is also gripped by some strange feeling. Impatiently Olga awaits the Tsar.
The bells ring louder, Tsar Ivan Vasilievich himself appears on the square. The people drop to their knees in prayer for forgiveness.

Scene 4
Ivan the Terrible at the entrance to Prince Tokmakov´s chamber. "To enter nor not" he asks of the Prince, deciding the town´s fate. Tokmakov answers with a deep bow. The Tsar is led to the place of honour. Knowing the Prince has a daughter, the Tsar wishes her to bring him his bowl. Olga enters, followed by Styosha and the other maidens carrying food. When Olga raises her head to present the Tsar with his bowl, Ivan the Terrible recognises the features of the woman he once loved – Vera Sheloga. Stunned, with difficulty the Tsar manages to hide his unease and confusion.
Left alone with Tokmakov and asking who was Olga´s mother, Ivan understands he has met his own daughter. This is like a sign to him and he pardons rebellious Pskov: "May the murders cease! Too much blood: Let us blunt our swords on stone. May God bless Pskov!"

Scene 5
A wood close to Pechery Monastery. The maidens are off to pray. Olga remains behind to meet Mikhailo Tucha. Olga hopes to beg forgiveness for her beloved from the Tsar, but Tucha refuses to kneel before Ivan the Terrible and calls on Olga to leave her native lands. She agrees without hesitation. Nothing now links her with Pskov.
Suddenly Matuta appears. He has followed Olga. His serfs wound Tucha and carry off the young girl.

Scene 6
The Tsar´s headquarters near Pskov. Tsar Ivan cannot sleep. Meeting his daughter has awoken memories of his past youth. But his thoughts are once again brought to affairs of State. He wishes to see Russia unified under one mighty ruler.
The Tsar´s thoughts are interrupted by Prince Vyazemsky. He has taken Matuta who had kidnapped Olga. In fury, the Tsar is ready to kill Matuta, but the latter declares he took the Princess while she was with "the enemy of the Tsar´s will" Mikhailo Tucha. The Tsar orders Olga be brought immediately. Ivan Vasilievich wished to take Olga to Moscow with him and imprison Tucha.
Tenderly Olga softens the Tsar´s heart: from childhood she was wont to pray for him, loved him always, like her own father. Ivan the Terrible is ready to admit to his daughter that he is in fact her true father, but close to the tent the freemen´s song is heard – it is Mikhailo and his men come to free Olga. The furious Tsar orders the rebels be killed and Tucho be taken alive. Olga, who has heard her beloved´s words of farewell, runs from the tent. Gunfire is heard. All the assailants lie dead.
The body of Olga, shot by a rogue bullet, is brought to the tent. In despair, Ivan Vasilievich calls the apothecary Bomely, but Olga is already dead. The inconsolable Tsar bows over his daughter´s body.

Any use or copying of site materials, design elements or layout is forbidden without the permission of the rightholder.

The highlighting of performances by age represents recommendations.

This highlighting is being used in accordance with Federal Law N436-FZ dated 29 December 2010 (edition dated 1 May 2019) "On the protection of children from information that may be harmful to their health"