Macbeth: Vladislav Sulimsky
Lady Macbeth: Mlada Khudoley
Macduff: Migran Agadzhanyan
Banco: Yuri Vorobiev
In accordance with amendments to the Government of St Petersburg's Regulation No 121, members of the audience under the age of 16 will not be admitted to the performance.
World premiere: 14 March 1847, Teatro della Pergola, Florence
Premiere at the Bolshoi (Kamenny) Theatre: 1 December 1854, performed by the Imperial Italian Opera Company under title Siward Saxon
Premiere of this production: 18 April 2001
Running time: 2 hours 55 minutes
The performance has one interval
Macbeth – such is the title of Shakespeare’s famous tragedy and one of Verdi’s most popular operas. The titular hero of the opera is a Scots commander in whom the innate human flaw of vanity grows to become an irrepressible mania for power. “O, voluttà del soglio!” (“O, desire for the throne!”) sings his wife, the perfidious Lady Macbeth. The most fundamentally wicked couple in the history of opera, they act in tandem: he commits murder while she incites him to do so. Macbeth is a real “horror opera” with a fascinating mediaeval flavour: here witches cast their spells, there are ghosts, blades are dripping with blood, nobles feast and a sleepwalker roams through the castle. Verdi fully conveyed the seething nature of Shakespeare’s passions in his music. One of the most complex roles not merely in Macbeth but in the entire compendium of world opera is that of Lady Macbeth. Verdi conceived a heroine who was evil and ugly, though on the stage Lady Macbeth is a powerful and passionate woman whom her husband is quite simply incapable of opposing. This opera on a Scottish theme was staged at the Mariinsky Theatre by Scots stage director David McVicar.
The highlighting of performances by age represents recommendations.
This highlighting is being used in accordance with Federal Law N436-FZ dated 29 December 2010 (edition dated 1 May 2019) "On the protection of children from information that may be harmful to their health"