St Petersburg, Mariinsky Theatre

Prodigal Son
 The Firebird 


Ballet by Sergei Prokofiev

Performance by the Primorsky Stage of the Mariinsky Theatre

Performers

Conductor: Anton Torbeev

The Prodigal Son: Alexander Bykov
The Siren: Katerina Floria
Confidants of the Prodigal Son: Sergei Zolotarev, Oleksy Skalun

Age category 12+

Credits

Music by Sergei Prokofiev
Choreography by George Balanchine (1929)
Libretto by Boris Kochno after the biblical parable

Scenery and costumes: Georges Rouault
Scenery executed by Prince Aleksandr Schervashidze
Costumes executed by Vera Soudeikina
Staging: Karin von Aroldingen and Paul Boos
Original lighting design: Ronald Bates
Lighting: Vladimir Lukasevich
Lighting Adaptation for the Primorsky Stage: Alexander Naumov

About the production

Prodigal Son was the last work Balanchine made for Diaghilev’s Ballets russes in 1929 with Serge Lifar in the role of the Prodigal Son; it was revived in 1950 by the New York City Ballet with Jerome Robbins in the title role. Its music by Prokofiev was written for the ballet, and its costumes and décor were created by Rouault, making it a perfect example of the collaborative efforts among artists that produced some of the best works of the Diaghilev era. New for a Diaghilev ballet was the Biblical theme and the religious spirit. In seeking eternal themes and turning to past artistic devices, western artists were trying to avoid the complete intellectual and artistic degeneration towards which their rootless experimentation was leading. Prodigal Son anticipated the trend toward religion of the 1930s and 40s. It was Diaghilev’s fate that he would always be ahead of fashion, even when he believed he had turned his back on vogue. The return of Prodigal Son to St Petersburg is of great significance. For the first time, a ballet of the most radical, late period of Diaghilev’s Saisons russes has returned to the stage of the Mariinsky Theatre. That period of Russian and world ballet has come home, which until recently was under artistic (avant-garde aesthetics of the late Diaghilev era) and ideological (use of religious motifs) censorship. With the return of Prodigal Son, the Mariinsky Theatre and its generation of young dancers have begun to restore an objective picture of the development of ballet in the 20th century.


The Ballet of George Balanchine Prodigal Son is presented by arrangement with The George Balanchine Trust and has been produced in accordance with the Balanchine Style® and Balanchine Technique® service standards established and provided by the Trust.
The Mariinsky Theatre would like to express its gratitude to Mrs Bettina von Siemens for her support in bringing the "Ballets of George Balanchine" project to life.

Premiere: 21 May 1929, Les Ballets Russes de Serge de Diaghilev, Théâtre Sarah-Bernhardt, Paris
Premiere at the Mariinsky Theatre: 14 December 2001, St Petersburg
Premiere at the Primorsky Stage of the Mariinsky Theatre: 24 March 2017, Vladivostok

Running time: 40 minutes


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