13 December 2024 | |
31 December 2024 |
Graduated from the Princess Grace Academy (Monte Carlo) in 2017.
Joined the Mariinsky Ballet in 2017.
Repertoire includes:
La Sylphide (The Sylph, sylphs); choreography by August Bournonville, revised version by Elsa-Marianne von Rosen,
Giselle (Giselle, Classical Duet); choreography by Jean Coralli, Jules Perrot, Marius Petipa,
La Fille du Pharaon (Ramzé, Almehs); choreography by Marius Petipa reconstructed by Toni Candeloro,
The Sleeping Beauty (Princess Florine); choreography by Marius Petipa, revival of the 1890 production by Sergei Vikharev,
The Sleeping Beauty (Princess Aurora; Princess Florine); choreography by Marius Petipa, revised version by Konstantin Sergeyev,
Swan Lake (Prince’s Friends); choreography by Marius Petipa and Lev Ivanov, revised version by Konstantin Sergeyev,
Don Quixote (Amour); choreography by Alexander Gorsky after motifs of the production by Marius Petipa,
Le Carnaval (Butterfly); choreography by Michel Fokine;
La Bayadère (Nikia, Trio of Shades); choreography by Marius Petipa, revised version by Vladimir Ponomarev and Vakhtang Chabukiani,
Le Corsaire (Gulnare, Trio of Odalisques); production by Pyotr Gusev after the composition and choreography of Marius Petipa,
Jewels (Diamonds), Symphony in C (I. Allegro vivo); A Midsummer Night’s Dream (Butterfly); choreography by George Balanchine,
In the Night; choreography by Jerome Robbins,
The Nutcracker (Masha, Pas de trois); choreography by Vasily Vainonen,
Romeo and Juliet (Juliet, Juliet’s companion); choreography by Leonid Lavrovsky,
Spartacus (Menada); choreography by Leonid Yakobson,
The Legend of Love (Shyrin); choreography by Yuri Grigorovich,
Concerto DSCH, Seven Sonatas,
Paquita (Paquita’s friend); choreography by Yuri Smekalov, reconstruction and staging of Marius Petipa's choreography (Act III Grand Pas) by Yuri Burlaka,
Coppélia (Coppélia), Danses Сoncertantes, 12 (Part I); choreography by Alexander Sergeev.