Dmitry Sharapov

Born in Leningrad.
Graduated from the Vaganova Ballet Academy in 1996 and joined the Mariinsky Ballet the same year.

Repertoire includes:
La Sylphide (Old Man, Gurn); choreography by August Bournonville, revised version by Elsa Marianne von Rosen,
Giselle (Armour-Bearer, the Duke); choreography by Jean Coralli, Jules Perrot and Marius Petipa,
La Bayadère (Dugmanta, Fakirs); choreography by Marius Petipa, revised version by Vladimir Ponomarev and Vakhtang Chabukiani,
La Fille du Pharaon (The Nile, The Courtier of the Nubian King); choreography by Marius Petipa reconstructed by Toni Candeloro,
The Sleeping Beauty (Catabalutte, Galifron); choreography by Marius Petipa, revival of the 1890 version, staging by Sergei Vikharev,
Swan Lake (Mazurka); choreography by Marius Petipa and Lev Ivanov, revised version by Konstantin Sergeyev,
Raymonda (Hungarian Dance); choreography by Marius Petipa, revised version by Konstantin Sergeyev,
Le Corsaire (Seid-Pasha, Forban Dance); production by Pyotr Gusev after the composition and choreography of Marius Petipa,
Don Quixote (Lorenzo, Fandango); choreography by Alexander Gorsky after motifs of the production by Marius Petipa; Fandango staged by Fyodor Lopukhov,
Le Carnaval (Eusebius, Florestan), Schéhérazade (Eunuch); choreography by Michel Fokine,
Le Sacre du printemps; Millicent Hodson inspired by Vaslav Nijinsky,
Les Noces (The Groom’s Father); choreography by Bronislava Nijinska,
The Nutcracker (Stahlbaum); choreography by Vasily Vainonen,
The Fountain of Bakhchisarai (Cracovienne, Old Men, Abbot); choreography by Rostislav Zakharov,
Romeo and Juliet (Escalus, Capulet Servants, Folk Dance, Lawrence, Montague); choreography by Leonid Lavrovsky,
Leonid Yakobson's ballets The Bedbug (Sailor), Shurale (Matchmakers) and Spartacus (Erostenes, Lentulus Batiatus),
Theme and Varitions; choreography by George Balanchine,
Manon (Clients of Madam’s Salon); choreography by Kenneth MacMillan,
Marguerite and Armand (the Duke); choreography by Frederick Ashton,
Anyuta (His Excellency); choreography by Vladimir Vasiliev,
The Nutcracker (Spanish Dance); choreography by Kirill Simonov, production designed by Mihail Chemiakin,
“The Overcoat” after Gogol (Robber) and The Golden Age (Foreign Team); choreography by Noah D. Gelber,
Le Baiser de la fée (the Fairy’s Retinue), Cinderella (Cinderella’s Father, Hairdresser) and Anna Karenina (Prince Shcherbatsky),
Lulu. Dream of an Anti-Star; choreography by Giuliano Peparini,
Sacre; choreography by Sasha Waltz,
The Bronze Horseman (Officer); choreography by Rostislav Zakharov, Yuri Smekalove,
Paquita (Corregidor, Francisco De Carcamo, Andres’ Father); choreography by Yuri Smekalov, reconstruction and staging of Marius Petipa's choreography (Act III Grand Pas) by Yuri Burlaka,
Renard, Mavra; choreography by Maxim Petrov,
and dances in the opera Betrothal in a Monastery (Eastern Dance).

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