Ruslan Stenyushkin


Upcoming performances:
16 November 2024
24 November 2024
27 November 2024
30 November 2024
Second soloist

• Diploma-recipient at the XIV International Ballet Dancers’ and Choreographers’ Competition in Moscow (2022)

Born in Voronezh. Graduated from the Vaganova Ballet Academy in 2017 (class of Nikolay Tsiskaridze). Joined the Mariinsky Ballet the same year.

Repertoire includes:
La Sylphide (Gurn, Youths); choreography by August Bournonville, revised version by ElsaMarianne von Rosen, 
Giselle (Hans); choreography by Jean Coralli, Jules Perrot and Marius Petipa; choreography by August Bournonville, revised version by Elsa-Marianne von Rosen,
Swan Lake (von Rothbart, Mazurka); choreography by Marius Petipa and Lev Ivanov, revised version by Konstantin Sergeyev,
Raymonda (Berangeе, Grand pas, variation); choreography by Marius Petipa, revised version by Konstantin Sergeyev,
Don Quixote (Basilio, Espada); choreography by Alexander Gorsky, after motifs of the production by Marius Petipa,
Schéhérazade (Zobeide’s Slave); choreography by Michel Fokine,
Le Corsaire (Conrad, Lankedem, Pirate Dance Forban); production by Pyotr Gusev after the composition and choreography by Marius Petipa,
Pas de deux from the ballet The Talisman; choreography by Marius Petipa,
The Nutcracker (the Nutcracker Prince, Spanish Dance, Elegant Gentlemen, Waltz of the Flowers); choreography by Vasily Vainonen,
The Fountain of Bakhchisarai (Youths); choreography by Rostislav Zakharov,
Spartacus (Athenian Jester); choreography by Leonid Yakobson,
The Stone Flower (Severian), choreography by Yuri Grigorovich,
Carmen-Suite (Corregidor); choreography by Alberto Alonso,
Anyuta (Artynov); choreography by Vladimir Vasiliev,
Le Parc; choreography by Angelin Preljocaj,
The Nutcracker (Cossacks, Spanish Dance); production by Mihail Chemiakin, choreography by Kirill Simonov,
Cinderella (Summer), The Little Humpbacked Horse (Horses, Seahorses),
The Bronze Horseman (Russkaya); choreography by Yuri Smekalov, Rostislav Zakharov,
Paquita (Officers); choreography by Yuri Smekalov, reconstruction and staging of Marius Petipa's choreography (Act III Grand Pas) by Yuri Burlaka,
Russian Overture; choreography by Maxim Petrov,
A csodálatos mandarin (Client); choreography by Yuri Possokhov.

Repertoire also includes:
Le Corsaire (Conrad); choreography by Eldar Aliev using fragments of Marius Petipa’s choreography.

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