25 March 2011, Friday, 19:00
Mariinsky Theatre
1 Theatre Square
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Fifth performance of the eighth subscription
Madama Butterfly
japanese tragedy in three acts
Music by Giacomo Puccini
Libretto by Luigi Illica and Giuseppe Giacosa,
after David Belasco´s stage version
of a magazine story by John Luther Long
Performed in Italian
The performance will have synchronised
Russian supertitles
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Cast
Cast to be announced
Sponsored by
World premiere: 17 February 1904, La Scalal, Milan
Premiere at the Mariinsky Theatre: 4 January 1913, St Petersburg
Premiere of this production:
29 May 1999,Teatr Wielki – Opera Narodowa, Warsaw (Poland)
27 October 2001, National Opera, Washington (USA)
new version: 18 March 2005, Mariinsky Theatre, St Petersburg
Running time 3 hours 35 minutes
The performance has two intervals
SYNOPSIS ACT I
Pinkerton
is buying a house. He tells Sharpless of his infatuation for a Japanese
girl and of his intention to marry her for "nine hundred and
ninety-nine years", with the privilege of annulment when convenient".
Pinkerton´s levity upsets Sharpless, who tries to convince the
lieutenant of the gravity of a relationship with a Japanese girl.
Pinkerton repeats how intensely he loves her ("Amore o grillo").
Laughing voices of Japanese girls are heard and Cio-Cio-San appears.
She introduces her relatives and friends to Pinkerton ("Spira sul
mare"). Presently, she informs her beloved that for his sake she has
renounced her religion. The marriage ceremony is interrupted when
Cio-Cio-San´s uncle appears to condemn his niece for renouncing her
people. Contemptuously, her relatives spurn the girl and depart.
Butterfly bursts into tears but is soon soothed by Pinkerton´s
tenderness. As night descends, the lovers are happy in each other´s
arms as they confide their passionate feelings ("Viene la sera").
ACT II
In
Butterfly´s house Suzuki prays before an image of Buddha. Butterfly
chides her gently for appealing to an Eastern god. Butterfly remains
faithful to Pinkerton, who has been forced to leave with the American
fleet, and she is true to his religion and country, certain that some
day he will come back to her ("Un bel dì"). Sharpless brings Butterfly
a letter which she is about to read when the marriage broker arrives
with a wealthy suitor. Butterfly is deaf to all propositions. When
Sharpless inquires what Butterfly would do if Pinkerton were to desert
her, she answers gravely that she would kill herself. She now calls in
the child, Little Trouble, who is the fruit of their love ("Chi vide
mai a bimbo"). Sharpless now knows that a terrible tragedy is imminent.
Suddenly there comes from the port the sound of a cannon shot.
Cio-Cio-San notices a ship arriving and learns that Pinkerton has
returned. In anticipation of her beloved´s return, Butterfly helps
Suzuki decorate the house with cherry blossoms ("Scuoti quella fronda
di ciliegio"). She then dons her wedding dress, but day passes into
night with no sign of Pinkerton.
ACT III
Dawn
has come. Weary of her vigil, Butterfly goes to an inner room. While
she is absent, Pinkerton and Sharpless arrive at Butterfly´s house.
Suzuki is overwhelmed with joy at the sight of Pinkerton, but when she
sees an American woman at Pinkerton´s side she senses the worst.
Sharpless persuades Pinkerton to leave without seeing Butterfly. After
a tender farewell to the house and his memories ("Addio fiorito asil"),
Pinkerton departs. When Butterfly rushes into the room she finds not
Pinkerton, but Sharpless and a strange woman. When she sees her servant
in tears she begins to understand what has happened. The American woman
– Pinkerton´s wife Kate – implores Cio-Cio-San to turn over to her
Pinkerton´s child. In the end Cio-Cio-San is ready to do this – but
only on condition that Pinkerton himself makes the request. When
Sharpless and Kate leave to call Pinkerton, Butterfly raises a dagger
to her throat. Little Trouble appears. Butterfly bids her child
farewell ("Tu, tu piccolo Iddio!"). She gives him a doll and an
American flag to play with. Then she goes behind a screen with her
dagger. A moment later she staggers out; by the time Pinkerton appears,
she is dead. Pinkerton is overwhelmed with grief. Sharpless gently
leads the motherless child from the house.