10 February 2011, Thursday, 19:00

Mariinsky Theatre
1 Theatre Square

Fourth performance of the sixth subscription

Il viaggio a Reims

dramma giocoso in two acts
Music by Gioachino Rossini
Libretto by Luigi Balochi derived in part from
Mme de Stael´s novel Corinne, ou l´Italie
Perfomed in Italian
The performance will have synchronised
Russian supertitles

Cast

Cast to be announced

Credits

Musical Director: Valery Gergiev
Stage Director: Alain Maratrat
Set Designer: Pierre Alain Bertola
Costume Designer: Mireille Dessingy
Lighting Designer: Pascal Mérat
Musical Preparation: Larisa Gergieva

Co-production with Théâtre du Châtelet, Paris

Supported by

World Premiere: 19 June 1825, Théâtre Italien, Paris
Russian Premiere: 13 April 2005, Mariinsky Theatre, St Petersburg

Running time: 2 hours 40 minutes
The performance has one interval

SYNOPSIS

It is 1825, and illustrious names from all over Europe have gathered at the Golden Lily Inn in order to travel to Reims and attend the coronation of King Charles X of France. Maddalena the house-keeper is exhorting her staff to get ready for the departure of the guests.
Don Prudenzio, a health attendant who calls himself a doctor, complains that the guests should not travel in their condition. Nonetheless he decides to let them go anyway.
Madama Cortese, the Tyrolean owner of the hotel, wishes that she could accompany her guests. She instructs her staff on what they should talk about with the guests so that the Golden Lily should become famous across Europe for its hospitality – discussions of fine clothes with the Contessa di Folleville, women with Belfiore, empire with Libenskof.
The first guest is a Parisian lady of fashion, the Contessa di Folleville. She is anxiously awaiting news of her carriage, when in runs Don Luigino with the news that the carriage has overturned and all her fine clothes have been ruined. The Contessa faints. Don Prudenzio and the German Baron di Trombonok enter and begin to fight over what to do to help her. Prudenzio tragically announces that the Contessa is going to die, but she instantly revives. She heroically decides not to travel, for patriotic reasons: a countess cannot be seen at a coronation without her fine clothes! She cannot hide her delight when her maid Modestina arrives with a beautiful hat salvaged from the wreckage. Trombonok laughs at the folly of the world.
Several more characters begin to arrive – the antique collector Don Profondo, the Spanish Don Alvaro and the young Polish widow the Marchesa Melibea. These last two seem delighted with each other´s company, but suddenly the Russian general Count Libenskof bursts in and creates a scene of jealousy, challenging Don Alvaro to a duel. The situation is saved by the arrival of Corinna the poetess from Rome. Her monologue song of hope for peace and fraternal love calms everyone down.
All depart. The English Lord Sidney appears. He is secretly in love with Corinna but dares not tell her of his feelings. Don Profondo addresses a multitude of questions to the Lord, but the latter quickly makes himself scarce.
Corinna enters, soon followed by the young French chevalier Belfiore. Though he has the heart of the Contessa di Folleville, he is not averse to including Corinna in his list of conquests. Falling to his knees, he declares his love for her, but Corinna, surprised at first by his ridiculous advances, finally rejects her passionate admirer in fury.
Enter Don Profondo, who has been charged with organising the trunks for the journey. With the help of the hotel staff, he goes through the effects of his fellow travellers.
He is interrupted by the Contessa di Folleville, who is looking for Belfiore. Profondo admits that he saw him with Corinna. This angers the Contessa. Suddenly Baron Trombonok and Luigino enter, followed by the whole company, with the news that there are no horses available, and the voyage to Reims must be cancelled. The hotel guests are dismayed, but Madama Cortese brings a letter from her husband, who writes that for those who miss the festivities in Reims, there will be grand celebrations in Paris. The Contessa di Folleville invites everyone to join her in the capital. It is decided to spend the money raised for the journey on a banquet at the Golden Lily.
Trombonok, whose favourite theme is harmony, convinces Libenskof and Melibea that they are made for each other. The Count asks forgiveness for his jealousy. Melibea, harsh at first, finally forgives him.
The final scene is a grand festive divertissement to celebrate harmony, with each guest singing his or her national anthem. The scene ends with an improvisation by Corinna on the new king, Charles X. In the final song, the hotel guests sing to the glory of France.

%muz_file_descr%

Changes to the playbill

Today Wed, 8 Sep 2010

Changes to the playbill

Information for audiences:

The concert featuring Nikolaj Znaider as listed on the playbill for 4 October will now take place on 1 October.
Tickets may be returned to the theatre’s box-offices

The concert featuring Nikolaj Znaider as listed on the playbill for 7 October will now take place on 7 October.
Tickets may be returned to the theatre’s box-offices

On 24 October, instead of the planned performance of the opera Duke Bluebeard’s Castle and an evening of piano music, at 15.00, the Mariinsky Theatre will now be staging a premiere of the opera Věc Makropulos (The Makropoulos Affair).
Tickets may be returned to the theatre’s box-offices

On 28 October
, the opera Die Frau ohne Schatten at the Mariinsky Theatre will now commence at 18.00 and not at 19.00 as previously announced.
Tickets remain valid


On 29 October at the Mariinsky Theatre, instead of a recital there will be a concert performance of Nikolai Rimsky-Korsakov’s opera The Tsar’s Bride featuring Olga Borodina as Lyubasha.
Tickets remain valid

The performance of the ballet La Sylphide at the Mariinsky Theatre, previously planned for 30 October, has been moved to 31 October, starting at 19.00.
ickets may be returned to the theatre’s box-offices

The performance of the opera Die Frau ohne Schatten at the Mariinsky Theatre, previously planned for 31 October, has been moved to 30 October, starting at 17.00.
ickets may be returned to the theatre’s box-offices

The management would like to offer its apologies